Jeffrey Seller, the producer of the hit Broadway musical "Hamilton," has announced the cancellation of upcoming shows at The Kennedy Center. This decision follows President Donald Trump’s recent move to terminate most members of the Kennedy Center’s Board of Trustees, including its chairman, David Rubenstein, and assume the role himself.
In a detailed statement shared on the official "Hamilton" social media account, Seller expressed his belief that political disagreements are essential to democracy. However, he emphasized that some institutions, like the Kennedy Center, should remain free from political influence. He described the Kennedy Center as a space meant for all Americans to gather and celebrate the arts, stating that its long-standing neutrality has been compromised by Trump’s actions.
Due to these developments, Seller felt it was not right for "Hamilton" to continue its engagement at the Kennedy Center, which was scheduled for March 3 to April 26, 2026. He also mentioned that the cancellation was a business decision, citing concerns that the new leadership under Trump could negatively impact the financial and personal well-being of the show’s hundreds of employees.
In response, Ric Grenell, the interim president of the Kennedy Center, criticized Seller’s announcement. He labeled it a publicity stunt that would ultimately backfire. Grenell accused Seller and Lin-Manuel Miranda, the creator of "Hamilton," of being intolerant towards those with differing political views. He argued that the arts should be inclusive, not limited to those who share specific political beliefs.
This controversy is part of a larger reaction to Trump’s changes at the Kennedy Center. Notably, actress Issa Rae has also pulled out of a performance there, and producer Shonda Rhimes resigned from her position as treasurer of the board. Additionally, musician Ben Folds announced his resignation from his role with the National Symphony Orchestra, which is overseen by the Kennedy Center.
As the situation unfolds, it highlights the ongoing tensions between politics and the arts, and how leadership changes can ripple through cultural institutions.