In recent discussions surrounding Hollywood’s latest trends, a line from the trailer of Leonardo DiCaprio’s upcoming film, “One Battle After Another,” has caught attention. The phrase, “It’s not that hard, they/them,” sparked a moment of shared exasperation among viewers, highlighting a growing fatigue with what some see as forced inclusivity in entertainment.
The reaction to this line reflects a broader sentiment. Many audiences are weary of what feels like a trend of virtue signaling in Hollywood. The trailer’s attempt to resonate with progressive values seemed more like a corporate slogan than a genuine message. This has led to a sense that even action movie trailers are now required to showcase ideological compliance.
Sociologist Eric Kaufmann recently shared data showing a significant decline in the number of young people identifying as non-binary or queer. His findings, which gained traction online, suggest that this shift may not be merely a backlash against progressive movements but rather a sign of changing attitudes. Many young people appear to be moving away from these labels, and there has been a quiet resurgence in heterosexual identification.
The article suggests that for years, gender identity has been treated as a public performance, fueled by social media and corporate interests. This commercialization of identity has led to a sense of inauthenticity. A notable example is Demi Lovato, who publicly identified as non-binary in 2021 but later returned to using “she/her” pronouns, expressing exhaustion with the constant need to explain her identity. This personal journey reflects a larger trend, as many individuals seem to be reevaluating their identities in light of their mental health and personal stability.
The piece also points out that Hollywood’s focus on representation has been waning. Shows that once highlighted non-binary characters, like the children’s series “Ridley Jones,” have been quietly removed from platforms, signaling a shift in audience preferences. Viewers are increasingly seeking entertainment rather than ideological lectures, recognizing when something that was once seen as radical becomes commonplace.
As this trend evolves, it appears that many are finding comfort in traditional identities. The narrative suggests that this is not a regression but rather a return to simplicity and authenticity. People are feeling less pressure to conform to fluid identities and are embracing the idea of being themselves without the need for labels.
In conclusion, the changing landscape of identity in Hollywood reflects a broader cultural shift. As audiences tire of performative inclusivity, there seems to be a movement towards embracing a more grounded sense of self. This may signal a new chapter in how identity is understood and expressed in both entertainment and society at large.
